Some authors sometimes don't like the way the covers of their books turn out, but not me: I'm absolutely thrilled with what Black Tat has ended up looking like so far. As you'll see, the jackets of the first editions are based on this awesome painting by the internationally-acclaimed artist John Jude Palencar...

I tell you, seeing something from one of my stories being turned into a breathtaking piece of art like this has been one of the best things about Black Tat getting published. And although the UK and US editions make use of the painting in different ways, I think they're equally striking.

This hardback edition sports full colour endpapers, reproducing Mr Palencar's painting as the first thing you see when you open the book and the last thing at the end before you close it. In addition - though it's a little difficult to make it out here - the dramatic black jacket is made more dramatic still by an array of 'spot-polished' tattoo shapes radiating out around Charlie(the boy)'s back. Shiny black against the surrounding matt finish, this effect is, frankly, very cool indeed, and glittering gold on the title and spine rounds it all off. Stunning!
PS: Also available in a trade paperback edition for the export market - but without the endpapers. Sorry, readers in Australia and other places! ;)

Again, it's not easy to make out from my pic here - you have to see it in the flesh! - but the US hardcover edition of Black Tat includes something I've never seen before. Due to an incredibly cunning piece of design, the jacket strips off and folds out into a poster - a gorgeous, glistening copy of Mr Palencar's painting of your own, to put on your wall. Innovative and funky interior page design by Razorbill's in-house layout genius Chris Grassi (who provided the same fonts for this website - thanks, Chris!) complements the whole, making this edition of Black Tat a very, very nice item. In fact, both editions of the book are so beautiful that I really don't know which is my favourite.

Next up, we have the US audio version of Black Tat, masterfully read - all the way from start to finish! - by John Lee. Hearing someone else interpret your words is quite a strange feeling, you can imagine, but I have to say, I couldn't be happier with it. Mr Lee clearly threw his heart into the recording: his voice characterisations (particularly his ones for the Chinj, Gukumat and the Dragon) are just fantastic!
You can listen to a clip from the audio edition here:
(Websphinx says: This embedded link works in Internet Explorer, but not in Firefox.)
STOP PRESS! I've just heard that Mr Lee's audio version of Black Tat was one of the winners of the Tops for Teens category in the Publishers Weekly 2006 Listen-Up Awards. Here's a link to an article about it. YAAAAY! (author waves arms in the air like a Muppet)

Sorry for faintly wonky pic – took it myself! But I'm very excited about this one, as it's the first time Black Tat - or any of my writing! - has been published in a different language. As you can see, for the Spanish edition of the book the publishers have gone for a different look: different, but brilliant. The Hell-fire red and the spidery black are very striking; the silvery lettering on the cover (and spine) leaps right out and socks you in the eye - and shortening the title to TATTOO! How much more stripped-down and pithy could you possibly get? ;)
According to the title page, Ediciones B have offices not "just" in Spain, but also in Colombia, Argentina, Venezuela, Mexico, Uruguay, Ecuador and Chile – which gives you an idea of just how far around the world this edition could go! Pretty thrilling, eh? HEE HEE HEE!

This is what the paperback edition of Black Tat looks like in the UK and associated export territories. Striking, no? The tattoo pattern and the text on the front cover is all embossed, pushed outwards, giving a really tactile feel to it - very satisfying to pick up and hold. The way the tattoo is spreading its dark influence across the white background – even the way the shape suggests the butterfly scene – it's all very cool, and I’m very, very excited!

Here's the US paperback of Black Tat. As you can see, the front cover is closely based on the wonderfully eye-catching design that the Random House Children's Books team came up with for the UK version. The US edition is a little larger however; the awesome US page-layouts have made it into the new format in their full glory; the first chapter of Tim [also available here] is included at the end – and yes, there's one other feature, namely a full colour version of Mr Palencar's beautiful painting, on the first page! In short? I think it's terrific. HURRAH!
I'll do my best to put up full details of any more incarnations of Black Tat just as soon as I can. On with the sinister masterplan!